http://patreon.com/join/homoground
Below are the artists featured in this episode in order of appearance. Their artist name, location and song featured is listed beneath their photo. Please click on their photo or name to be directed to their website and social media accounts.
vincethealien – Los Angeles, California – “Easy Bake”
GESS – Los Angeles, California – “Digital Romance”
Sammyd – Ohio – “Summer Song”
Bentley Robles – Brooklyn, New York – “Petals”
Theo Tams – Toronto, Ontario, Canada – “Strangers”
Maddy Street – Paris, France – “Still Yours”
Young Kaii – Providence, Rhode Island – “Speechless”
CREDITS
This episode was produced by D Orxata
Executive production and intro/outro by Lynn Casper
Homoground Theme Song by data.data.data
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Cruisin Records: Lonesome Leash / LAL / Holodeck Heart / Wizard Apprentice / Loamlands / Nana Grizol / Slashed Tires / ManDate / Danny Denial / Old Dark House [Episode #266]
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If you enjoyed this episode, please consider contributing to our Patreon to support this free podcast.
In this episode of Homoground, you’ll hear music from bands on Cruisin Records.Cruisin Records is a label created to support Queer artists. It is run by Theo Hilton (Nana Grizol), Clyde Petersen (Your Heart Breaks/ManDate) and Darby Cox based in New Orleans, Anacortes, and Philadelphia. The label emerged from long conversations between Clyde Petersen and Theo Hilton about how to support the amazing musicians they’ve met over years of creating music and touring.Theo, Clyde and Darby will be joining us at this month’s HomoTime event on Sunday, February 28 at 3pm ET to discuss what its like running a record label and answering any questions you have. We’ll also be joined by Cruisin Records artists: Danny Denial and Wizard Apprentice who are also featured on this episode. This event is free but you will need to RSVP to get the zoom link.Below are the artists featured in this episode in order of appearance. Their artist name, location and song featured is listed beneath their photo.
Lonesome Leash – Los Angeles, California – “Ghost in The Garden”
LAL – Toronto, Canada – “Wild Flowers”
Holodeck Heart – Seattle, Washington / Portland, Oregon – “Janeway & Seven”
Wizard Apprentice – Los Angeles, California – “Betrayal Internalized”
Loamlands – Durham, North Carolina – “How Do You See Me”
Nana Grizol – New Orleans, Louisiana – “We Carry the Feeling”
Slashed Tires – Seattle, Washington – “Lost Distance”
ManDate – Seattle, Washington – “Alternate History”
Danny Denial – Seattle, Washington – “White Tears, Fake Queers” (Feat. Rat Queen, Dirty Dirty, Slow Elk & Razor Clam)
Old Dark House – Seattle, Washington – “Through The Trees”
CREDITS
This episode was produced by Casper
Homoground Theme Song by data.data.data
SPONSOR
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On this episode you heard promo trailers from:
Queer Public A podcast about real-life queer life. Each episode asks critical questions about queer identity, queer politics and our queer culture. Their first season is available for binging!
Pixel Therapy Podcast A bi-weekly podcast bringing you new perspectives on video game culture and current events while centering the relationships queer folks, trans folks, people of color, disabled folks, and other marginalized players have with games.
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Sinzere – Calgary, Alberta, Canada [Episode #254]
Tune in to episode #254 to learn more about Afro-Canadian hip hop artist Sinzere as she talks about very personal and intimate life experiences including what its been like growing up with abuse in Calgary as a queer Black woman, the importance of transparency, and how music was always there for her. We go behind the music learning more about the inspiration for the songs featured as well as the music video for her song “Posers” off her latest album “Ghetto Gabby”.
If you enjoyed this episode, please consider contributing to our Patreon to support this free podcast.
http://patreon.com/join/homogroundEpisode Sponsor
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Transcription of Sinzere’s story:
My artist name is Sinzere, obviously derives from the word sincere. What I did is I just switched the letter of “C” with the letter “Z” just to kind of give it its own identity, as a cool way to represent everything that I am. I’m very sincere to my artistry. It made a lot of sense, in that aspect. I go by the name of Sinzere. Music has kind of been with me since I was a young girl. I remember at a very young age, like around five, four or five, it was kind of like a way to escape the things that I was going through at that time. It’s always kind of been there, through my story when I really got into music and started recording records and working on production. I would say about 2012, it was self-start, it was DIY. In the beginning it was a notepad and ideas and a beat from a stereo. As I progressed and as I learned more and started taking it a little more seriously, I graduated from that to a friend’s basement, to a computer with computer headphones that had a microphone attached, super amateur, and I graduated from that to a friend’s bathroom. It started growing where, you know, we had maybe an apple tower, and a professional microphone and more things to work with. We used programs like Logic, and finally graduating to a state of the art studio. It started with just a notepad and a beat.
You can read the full transcript of Sinzere’s story on our patreon.
CREDITS
This episode was recorded and produced by Erin McGregor of Queer Public.
Executive Production and end credits hosted by Lynn Casper.
Intro Jingle by data.data.data
Interview transcription by Major Davis.
Transcriptions made possible by Queer Public Podcast who let us use their transcription software.
Our affiliate sponsor for this episode is Pride Counseling. Homoground listeners receive a 1 week free trial when they sign up through this link. We also receive commission from each sign up that becomes a paid member. These funds helps us produce episodes like this 🙂
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Emily Wells – New York, NY [Episode #240]
Episode #240 is up featuring a conversation between Emily Wells and Homoground host Maia Macdonald. Emily gives us tons of insight behind her latest album “This World is too ______ for you” and the process behind orchestrating her live performance.
If you enjoyed this episode, please consider contributing to our Patreon to support this free podcast.
http://patreon.com/join/homogroundTranscription of Emily’s story:
” I guess you kind of have to compartmentalize the processes. So when I was writing the record, for instance, and when I’ve written any records, I find that my process hones over the years. I go into a different kind of self-hood, I would say, and I allow myself to go into that, and I really limit any performances, which is a bit of a luxury. You kind of have to get really scrappy and frugal. Just tour your ass off and then try to make room for yourself to be a maker and not a minstrel. I engage a lot with literature during this period and poetry, and I’m really interested in the mind and how the mind works. All of these things are all connected. And all of that can, if you’re open, become part of the songs as well. So I just try to be that “self” and try to write songs. Almost simply, especially this record, I forced myself that they had to pass the Casio Test. I don’t have a proper piano in my studio, so if I could play it on this old Casio keyboard and sing along with it, and it still was emotional and still was a “good song”, then it passed. Otherwise, it was out. That helps me not get too caught in the… You have some nights where you’re working on things and you start to dabble into the production side of it, which is really fun and can be a great release. But I still had to step away at the end of each song. Then you move into recording mode, then you move into editor mode, then you move into insane person mode, actually making the final decisions, and then you move into like an intern at your label trying to like make it work, you know.”
You can read the full transcript of Emily’s interview on our patreon.
CREDITS
This episode was recorded and produced by Maia Macdonald.
Executive Producer: Lynn Casper
Intro Jingle by data.data.data
Interview transcription by D Orxata
Transcription was made possible by Queer Public Podcast who let us use their transcription software.
