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In this episode the Southern Queeries podcast talks with Rigel Gemini, all around creative, tech. professional, creative artist, and queer influencer. They discuss his journey to the south, what keeps him motivated, and the next steps in his journey.
To keep up with him you can find his music on Spotify, Apple Music, Amazon Music, and other music platforms. For social media, just search for Rigel Gemini on Instagram, Facebook and Twitter. His music videos are available on YouTube, including the lyric video for his latest single, Snapped. Some of his other visually stunning videos include Gorgeois, I Can’t, and Day & Night.
If you liked this episode, follow the Southern Queeries podcast and check out their other episodes! You can also keep up with them on Facebook, Twitter, and Instagram by searching Southern Queeries. To keep up with India, go to indiabastien.com, and to keep up with Aubree go to aubreecalvin.com
EPISODE SPONSOR
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CREDITS
The interview segment in this episode was produced by India Bastien and Aubree Calvin of Southern Queeries.
Executive production by Casper
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Emily Wells – New York, NY [Episode #240]
Episode #240 is up featuring a conversation between Emily Wells and Homoground host Maia Macdonald. Emily gives us tons of insight behind her latest album “This World is too ______ for you” and the process behind orchestrating her live performance.
If you enjoyed this episode, please consider contributing to our Patreon to support this free podcast.
http://patreon.com/join/homogroundTranscription of Emily’s story:
” I guess you kind of have to compartmentalize the processes. So when I was writing the record, for instance, and when I’ve written any records, I find that my process hones over the years. I go into a different kind of self-hood, I would say, and I allow myself to go into that, and I really limit any performances, which is a bit of a luxury. You kind of have to get really scrappy and frugal. Just tour your ass off and then try to make room for yourself to be a maker and not a minstrel. I engage a lot with literature during this period and poetry, and I’m really interested in the mind and how the mind works. All of these things are all connected. And all of that can, if you’re open, become part of the songs as well. So I just try to be that “self” and try to write songs. Almost simply, especially this record, I forced myself that they had to pass the Casio Test. I don’t have a proper piano in my studio, so if I could play it on this old Casio keyboard and sing along with it, and it still was emotional and still was a “good song”, then it passed. Otherwise, it was out. That helps me not get too caught in the… You have some nights where you’re working on things and you start to dabble into the production side of it, which is really fun and can be a great release. But I still had to step away at the end of each song. Then you move into recording mode, then you move into editor mode, then you move into insane person mode, actually making the final decisions, and then you move into like an intern at your label trying to like make it work, you know.”
You can read the full transcript of Emily’s interview on our patreon.
CREDITS
This episode was recorded and produced by Maia Macdonald.
Executive Producer: Lynn Casper
Intro Jingle by data.data.data
Interview transcription by D Orxata
Transcription was made possible by Queer Public Podcast who let us use their transcription software.
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Ahli – Nashville, TN [Episode #257]
Episode 257 features the words and music of Ahli, a pop singer/songwriter from Nashville, TN. In this episode, Ahli talks about what it was like growing up in a conservative town while discovering their identity plus advice for those who are currently living in more conservative areas.
The songs featured in this episode: “Ghost” and “Past Life”
Follow Ahli online at ahlismusic.com
If you enjoyed this episode, please consider contributing to our Patreon to support this free podcast.
http://patreon.com/join/homogroundFull transcription of Ahli’s story:
Same ground, different sound. You’re on Homoground. This is Ali from Stockton, New Jersey. I identify as a pansexual gender-neutral. I grew up in Stockton, New Jersey. It’s a really small rural town on the Delaware River. It’s biggest claim to fame is that we’re pretty close to where Washington crossed. I grew up in a more divided area. People would go to Pride in Pennsylvania, but there would also be people who fly the Confederate flag where I went to high school.. In high school, it wasn’t the best place to come out for a lot of reasons. One of them was there weren’t a lot of people who were out. I probably knew like definitely finger counting the amount of people who were LGBT and all of them were in the closet and not really outspoken about it. I think everybody was kind of in that zone like it’s kind of a toss up. We’re not really sure what to do. And it just kind of spread to me. I was like, OK, like, I definitely like girls, but I’m gonna hold off on that.
I waited till my senior year when I had transferred out and gone to boarding school. I was 200 miles away from my parents before I told them. I was like, hey, I am pansexual.
You can read the full transcript of Ahli’s story on our patreon.
CREDITS
This episode was produced and hosted by Lynn Casper.
Intro Jingle by data.data.data
Transcription was made possible by Queer Public Podcast who let us use their transcription software.
Our affiliate sponsor for this episode is Pride Counseling. Homoground listeners receive a 1 week free trial when they sign up through this link. We also receive commission from each sign up that becomes a paid member. These funds helps us produce episodes like this 🙂
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Madeline Finn – Nashville, TN [Episode #258]
In episode #258, Nashville, TN -based musician Madeline Finn talks about the healing journey of writing songs through breakups, the transition from performing in front of a live audience to livestreams which has led to more introspection.
The songs featured in this episode: “Timing is Everything” and “Save Yourself”
Follow Madeline at madelinefinnmusic.com
If you enjoyed this episode, please consider contributing to our Patreon to support this free podcast.
http://patreon.com/join/homogroundTranscription of Madeline Finn’s Story:
“Same ground. Different sound. You’re listening to Homoground. This is Madeline Finn from Nashville, Tennessee and I identify as queer.
“Since COVID-19, I’ve had to cancel a full European tour, a full living room tour that I had booked for the summer and a couple other really awesome opportunities like opening up for Brent Cobb and Rainbow Girls and some other festivals as well. It’s been weird shifting into an online presence as opposed to a live performance, because I feel personally that the live performance is where I thrive; the live performance is the part I love most about my job other than connecting with people and to not have it in my current reality is tough. Shifting to an online presence has been challenging for me, mostly because I’m not great at technology, but we’re learning! The livestreams have been cool, but it’s been more of an introspective time. You know, when I perform, I feed off the energy of those listening. I feed off the crowd interaction and all that. And with that gone, because when you play, you know, people can comment, but you don’t hear applause. You don’t get to see people reacting or get to share that emotional energy that’s just in the room with them. So it’s been more introspective. I’ve been able to, like, play a song and feel it for myself and kind of go inward. This has been a time of a lot of self-reflection. And as I start to try and bring that out on my social media and on my livestreams and on things like this, it’s brand new for me. But I think it’s taking me to a place of more integrity and more vulnerability. And I’m really excited for how this time is going to shape my live show in the future.”
You can read the full transcript of Madeline’s story on our patreon.
CREDITS
This episode was produced and hosted by Lynn Casper.
Intro Jingle by data.data.data
Transcription was made possible by Queer Public Podcast who let us use their transcription software.
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