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Below are the artists featured in this episode in order of appearance. Their artist name, location and song featured is listed beneath their photo.
Lonesome Leash – Los Angeles, California – “Ghost in The Garden”
LAL – Toronto, Canada – “Wild Flowers”
Holodeck Heart – Seattle, Washington / Portland, Oregon – “Janeway & Seven”
Wizard Apprentice – Los Angeles, California – “Betrayal Internalized”
Loamlands – Durham, North Carolina – “How Do You See Me”
Nana Grizol – New Orleans, Louisiana – “We Carry the Feeling”
Slashed Tires – Seattle, Washington – “Lost Distance”
ManDate – Seattle, Washington – “Alternate History”
Danny Denial – Seattle, Washington – “White Tears, Fake Queers” (Feat. Rat Queen, Dirty Dirty, Slow Elk & Razor Clam)
Old Dark House – Seattle, Washington – “Through The Trees”
CREDITS
This episode was produced by Casper
Homoground Theme Song by data.data.data
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POD RING
On this episode you heard promo trailers from:
Queer Public A podcast about real-life queer life. Each episode asks critical questions about queer identity, queer politics and our queer culture. Their first season is available for binging!
Pixel Therapy Podcast A bi-weekly podcast bringing you new perspectives on video game culture and current events while centering the relationships queer folks, trans folks, people of color, disabled folks, and other marginalized players have with games.
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Wynne Greenwood (Tracy + The Plastics) – Seattle, Washington
Wynne Greenwood is a video artist and song-maker who also often brings those things together with objects, installation, and performance. Her practice grows from making dialogues with versions of self and the worlds those versions live in/are of. It’s a practice of this time, built from talking back to the TV, now engaging those muscles to practice new culture.
From 1999 – 2006, Greenwood created and performed the multimedia art-band Tracy + the Plastics. Tracy + the Plastics blurred the boundaries between the contemporary art and music worlds, crossing venues and contexts from house shows to art institutions.Greenwood took the form of all three band members, live on stage and in prerecorded video projections. She sang live as Tracy while interacting with the other band members (Greenwood as Cola, drums, and Nikki, keyboards) on the video screen behind her. Tracy + the Plastics ended in 2006.
Cruisin Records reissued the entire Tracy + the Plastics discography for the 20th anniversary of their first record “Muscler’s Guide to Videonics”.
Wynne has a new album in the works, Horizon.
Gina Young – Los Angeles, California
Gina Young (she/they) is an award-winning writer, director, songwriter and performer whose work blurs genres and forms. Her plays, musicals, videos, and curated events have been presented everywhere from The Hammer Museum and REDCAT to punk clubs and gay bars across the US and Europe.
Interlacing music, movement and text, Gina queers content and form, bringing audiences together for intimate and transcendent experiences. She is the creator of SORORITY, Feminist Acting Class and throws a queer happy hour party in Los Angeles called DIVORCE.
We are an independent podcast. This podcast is available for free, but it is not free to make. If you enjoyed this episode, please consider contributing to our Patreon to support our work.
http://patreon.com/join/homogroundCREDITS
This interview was recorded and produced by Maia Macdonald
Executive Producer: Lynn CasperSPONSORS
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Struggling with business financials? Homoground uses SusieQ Bookkeeping, a motley crew of queer bookkeepers and accountants who love the finances as much as you love your business. At SQB they know that entrepreneurs of all kinds need to spend their time doing what they love and growing, not worrying about payroll and taxes. SQB provides financial and administrative support to all industries tailored to your needs.
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If you enjoyed this episode, please consider contributing to our Patreon to support this free podcast.
http://patreon.com/join/homogroundEpisode Sponsor
This episode is sponsored by TAIMI – an inclusive LBGTQIA+ dating and social app available on iOS and Android.
Transcription of Sarah’s story:
– coming soon –
Find out more about our transcription project here.CREDITS
This episode was recorded and produced by Maia Macdonald.
Executive Production and end credits hosted by Lynn Casper.
Intro Jingle by data.data.data
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If you enjoyed this episode, please consider contributing to our Patreon to support this free podcast.
http://patreon.com/join/homogroundTranscription of Emily’s story:
” I guess you kind of have to compartmentalize the processes. So when I was writing the record, for instance, and when I’ve written any records, I find that my process hones over the years. I go into a different kind of self-hood, I would say, and I allow myself to go into that, and I really limit any performances, which is a bit of a luxury. You kind of have to get really scrappy and frugal. Just tour your ass off and then try to make room for yourself to be a maker and not a minstrel. I engage a lot with literature during this period and poetry, and I’m really interested in the mind and how the mind works. All of these things are all connected. And all of that can, if you’re open, become part of the songs as well. So I just try to be that “self” and try to write songs. Almost simply, especially this record, I forced myself that they had to pass the Casio Test. I don’t have a proper piano in my studio, so if I could play it on this old Casio keyboard and sing along with it, and it still was emotional and still was a “good song”, then it passed. Otherwise, it was out. That helps me not get too caught in the… You have some nights where you’re working on things and you start to dabble into the production side of it, which is really fun and can be a great release. But I still had to step away at the end of each song. Then you move into recording mode, then you move into editor mode, then you move into insane person mode, actually making the final decisions, and then you move into like an intern at your label trying to like make it work, you know.”
You can read the full transcript of Emily’s interview on our patreon.
CREDITS
This episode was recorded and produced by Maia Macdonald.
Executive Producer: Lynn Casper
Intro Jingle by data.data.data
Interview transcription by D Orxata
Transcription was made possible by Queer Public Podcast who let us use their transcription software.
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