http://patreon.com/join/homoground
CREDITS
This episode was recorded and produced by Erin McGregor of Queer Public.
Executive Producer: Lynn Casper
Intro Jingle by data.data.data
-
Emily Wells – New York, NY [Episode #240]
Episode #240 is up featuring a conversation between Emily Wells and Homoground host Maia Macdonald. Emily gives us tons of insight behind her latest album “This World is too ______ for you” and the process behind orchestrating her live performance.
If you enjoyed this episode, please consider contributing to our Patreon to support this free podcast.
http://patreon.com/join/homogroundTranscription of Emily’s story:
” I guess you kind of have to compartmentalize the processes. So when I was writing the record, for instance, and when I’ve written any records, I find that my process hones over the years. I go into a different kind of self-hood, I would say, and I allow myself to go into that, and I really limit any performances, which is a bit of a luxury. You kind of have to get really scrappy and frugal. Just tour your ass off and then try to make room for yourself to be a maker and not a minstrel. I engage a lot with literature during this period and poetry, and I’m really interested in the mind and how the mind works. All of these things are all connected. And all of that can, if you’re open, become part of the songs as well. So I just try to be that “self” and try to write songs. Almost simply, especially this record, I forced myself that they had to pass the Casio Test. I don’t have a proper piano in my studio, so if I could play it on this old Casio keyboard and sing along with it, and it still was emotional and still was a “good song”, then it passed. Otherwise, it was out. That helps me not get too caught in the… You have some nights where you’re working on things and you start to dabble into the production side of it, which is really fun and can be a great release. But I still had to step away at the end of each song. Then you move into recording mode, then you move into editor mode, then you move into insane person mode, actually making the final decisions, and then you move into like an intern at your label trying to like make it work, you know.”
You can read the full transcript of Emily’s interview on our patreon.
CREDITS
This episode was recorded and produced by Maia Macdonald.
Executive Producer: Lynn Casper
Intro Jingle by data.data.data
Interview transcription by D Orxata
Transcription was made possible by Queer Public Podcast who let us use their transcription software.
-
Sinzere – Calgary, Alberta, Canada [Episode #254]
Tune in to episode #254 to learn more about Afro-Canadian hip hop artist Sinzere as she talks about very personal and intimate life experiences including what its been like growing up with abuse in Calgary as a queer Black woman, the importance of transparency, and how music was always there for her. We go behind the music learning more about the inspiration for the songs featured as well as the music video for her song “Posers” off her latest album “Ghetto Gabby”.
If you enjoyed this episode, please consider contributing to our Patreon to support this free podcast.
http://patreon.com/join/homogroundEpisode Sponsor
This episode is sponsored by Adam Male, your most trusted source for sex toys, products and information. Whether you’re looking for something to share with someone special, or you’re wanting to spice up your “me” time, from dildos to dongs, they’re putting the power of pleasure in your hands. Get 25% off plus free shipping with the code AMPOD.
Transcription of Sinzere’s story:
My artist name is Sinzere, obviously derives from the word sincere. What I did is I just switched the letter of “C” with the letter “Z” just to kind of give it its own identity, as a cool way to represent everything that I am. I’m very sincere to my artistry. It made a lot of sense, in that aspect. I go by the name of Sinzere. Music has kind of been with me since I was a young girl. I remember at a very young age, like around five, four or five, it was kind of like a way to escape the things that I was going through at that time. It’s always kind of been there, through my story when I really got into music and started recording records and working on production. I would say about 2012, it was self-start, it was DIY. In the beginning it was a notepad and ideas and a beat from a stereo. As I progressed and as I learned more and started taking it a little more seriously, I graduated from that to a friend’s basement, to a computer with computer headphones that had a microphone attached, super amateur, and I graduated from that to a friend’s bathroom. It started growing where, you know, we had maybe an apple tower, and a professional microphone and more things to work with. We used programs like Logic, and finally graduating to a state of the art studio. It started with just a notepad and a beat.
You can read the full transcript of Sinzere’s story on our patreon.
CREDITS
This episode was recorded and produced by Erin McGregor of Queer Public.
Executive Production and end credits hosted by Lynn Casper.
Intro Jingle by data.data.data
Interview transcription by Major Davis.
Transcriptions made possible by Queer Public Podcast who let us use their transcription software.
Our affiliate sponsor for this episode is Pride Counseling. Homoground listeners receive a 1 week free trial when they sign up through this link. We also receive commission from each sign up that becomes a paid member. These funds helps us produce episodes like this 🙂
-
Lane More of It Was Romance – Brooklyn, NY [Episode #248]
Our latest episode features the words and songs of Lane Moore. Lane is a member of the band It Was Romance, produces a regular live event called Tinder Live, wrote a book called How to be Alone: If you want to and even if you don’t and did a Tedx talk on the same topic, among many other amazing things.
If you enjoyed this episode, please consider contributing to our Patreon to support this free podcast.
http://patreon.com/join/homoground
