Growth, evolution, and what’s next with the prolific artist Sarah Jaffe. She discuss creative process, collaborating with other artists, sampling a mystery voicemail for her EP, her life in Texas and New York, and more.
http://patreon.com/join/homoground
Episode Sponsor
This episode is sponsored by TAIMI – an inclusive LBGTQIA+ dating and social app available on iOS and Android.
Transcription of Sarah’s story:
– coming soon –
Find out more about our transcription project here.
CREDITS
This episode was recorded and produced by Maia Macdonald.
Executive Production and end credits hosted by Lynn Casper.
Intro Jingle by data.data.data
Our affiliate sponsor for this episode is Pride Counseling. Homoground listeners receive a 1 week free trial when they sign up through this link. We also receive commission from each sign up that becomes a paid member. These funds helps us produce episodes like this 🙂
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Wynne Greenwood (Tracy + the Plastics) & Gina Young || [Episodes #269, #270, #271 & #272]
In Spring 2021, Homoground Producer Maia Macdonald recorded an interview with Wynne Greenwood (Tracy + The Plastics) & Gina Young. The episode has been editing into 4 episodes. Listen to the episodes below
[Episode #269 – Part 1 of 4]
[Episode #270 – Part 2 of 4]
[Episode #271 – Part 3 of 4]
[Episode #272 – Part 4 of 4]
Patreon supporters can listen to the full, uncut version of the interview.
Wynne Greenwood (Tracy + The Plastics) – Seattle, Washington
Wynne Greenwood is a video artist and song-maker who also often brings those things together with objects, installation, and performance. Her practice grows from making dialogues with versions of self and the worlds those versions live in/are of. It’s a practice of this time, built from talking back to the TV, now engaging those muscles to practice new culture.
From 1999 – 2006, Greenwood created and performed the multimedia art-band Tracy + the Plastics. Tracy + the Plastics blurred the boundaries between the contemporary art and music worlds, crossing venues and contexts from house shows to art institutions.Greenwood took the form of all three band members, live on stage and in prerecorded video projections. She sang live as Tracy while interacting with the other band members (Greenwood as Cola, drums, and Nikki, keyboards) on the video screen behind her. Tracy + the Plastics ended in 2006.
Cruisin Records reissued the entire Tracy + the Plastics discography for the 20th anniversary of their first record “Muscler’s Guide to Videonics”.
Wynne has a new album in the works, Horizon.
Gina Young – Los Angeles, California
Gina Young (she/they) is an award-winning writer, director, songwriter and performer whose work blurs genres and forms. Her plays, musicals, videos, and curated events have been presented everywhere from The Hammer Museum and REDCAT to punk clubs and gay bars across the US and Europe.
Interlacing music, movement and text, Gina queers content and form, bringing audiences together for intimate and transcendent experiences. She is the creator of SORORITY, Feminist Acting Class and throws a queer happy hour party in Los Angeles called DIVORCE.
We are an independent podcast. This podcast is available for free, but it is not free to make. If you enjoyed this episode, please consider contributing to our Patreon to support our work.
http://patreon.com/join/homogroundCREDITS
This interview was recorded and produced by Maia Macdonald
Executive Producer: Lynn CasperSPONSORS
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Young Kaii – Providence, Rhode Island [Episode #262]
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Young Kaii is one of those rare artists that effortlessly brings raw emotions using just her talent and her powerful lyrics. In this episode, Homoground correspondent Maia Macdonald chats with Young Kaii about the life of being an artist, smoothies, swimming with dolphins and choosing happiness.
Songs featured: “Careless”, “Speechless” and “Memories”
You can stream the episode above, on homoground.com or via your favorite podcast app.
Connect with Young Kaii:
Official Website
Instagram @iamyoungkaii
Twitter @YoungKaii
YoutubeIf you enjoyed this episode, please consider contributing to our Patreon to support this free podcast.
http://patreon.com/join/homogroundTo help us create a transcription of this episode, please donate to our Patreon to support our transcription efforts.
CREDITS
This interview was recorded and produced by Maia Macdonald.
Executive Producer: Lynn Casper
Intro Jingle by data.data.data
SPONSORS
Struggling with business financials? Homoground uses SusieQ Bookkeeping, a motley crew of queer bookkeepers and accountants who love the finances as much as you love your business. At SQB they know that entrepreneurs of all kinds need to spend their time doing what they love and growing, not worrying about payroll and taxes. SQB provides financial and administrative support to all industries tailored to your needs.
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Mylo Choy – Brooklyn, NY [Episode #256]
Episode #256 features the words and music of Brooklyn-based singer/songwriter Mylo Choy. In this episode, Mylo talks about artistic expression and collaborations within a solo music project, how to experience sadness without getting stuck dwelling in the feeling, lessons learned from being raised in a Buddhist family and more.
The songs featured in order of appearance:
“All The Sun”, “Meet Me in the Middle” and “Tides” from their EP “Night is Like the Ocean” plus “Kolea’s First Journey” from their 2017 album “Delta“.Follow Mylo online at mylochoy.com
Buy their music on bandcamp mylochoy.bandcamp.comFull Transcription of Mylo’s story:
Hello, I’m Mylo Choy. I live in Brooklyn, New York. Most of my career has been working with youth and making art and music. They seem different, but a lot of them are the same because all of it is about how people feel. *laughs* This E.P “Night is like the Ocean” was recorded upstate in Livingston Manor, New York. A friend of a friend is the engineer and producer on it. I’ve worked with him several times. First, with my old band Small Talk and I just really liked his vibe. And also the recording studio is this house that has windows all the way around and you can see the snow. Winter is such a great time to record because you really can’t do much else. I just always like working with him. It’s really nice to work with someone where you could ask someone their honest opinion and they’ll tell you and they’ll always go with your decision at the end of the day, because I am such a control freak, especially when it comes to art things. I think because it’s so personal. I’d like to get to a point where I’m a little more collaborative.
You can read the full transcript of Mylo’s story on our patreon.
CREDITS
This episode was recorded and produced by Maia Macdonald.
Executive Production and End Credits hosted by Lynn Casper
Intro Jingle by data.data.data
Transcription was made possible by Queer Public Podcast who let us use their transcription software.
Our affiliate sponsor for this episode is Pride Counseling. Homoground listeners receive a 1 week free trial when they sign up through this link. We also receive commission from each sign up that becomes a paid member. These funds helps us produce episodes like this 🙂
