
Powered by RedCircle
Young Kaii is one of those rare artists that effortlessly brings raw emotions using just her talent and her powerful lyrics. In this episode, Homoground correspondent Maia Macdonald chats with Young Kaii about the life of being an artist, smoothies, swimming with dolphins and choosing happiness.
Songs featured: “Careless”, “Speechless” and “Memories”
You can stream the episode above, on homoground.com or via your favorite podcast app.
Connect with Young Kaii:
Official Website
Instagram @iamyoungkaii
Twitter @YoungKaii
Youtube

http://patreon.com/join/homoground
To help us create a transcription of this episode, please donate to our Patreon to support our transcription efforts.
CREDITS
This interview was recorded and produced by Maia Macdonald.
Executive Producer: Lynn Casper
Intro Jingle by data.data.data
SPONSORS

Struggling with business financials? Homoground uses SusieQ Bookkeeping, a motley crew of queer bookkeepers and accountants who love the finances as much as you love your business. At SQB they know that entrepreneurs of all kinds need to spend their time doing what they love and growing, not worrying about payroll and taxes. SQB provides financial and administrative support to all industries tailored to your needs.
Schedule a consultation today!
This episode is sponsored by Adam Male, your most trusted source for sex toys, products and information. Whether you’re looking for something to share with someone special, or you’re wanting to spice up your “me” time, from dildos to dongs, they’re putting the power of pleasure in your hands. Get 25% off plus free shipping with the code AMPOD.
You Might also like
-
CHAV / Wildcard Characters / Powderpaint / Bebop Rocksteady / Danielle Grubb / Odd!Drey / Arami [Episode #263]
By HomogroundPowered by RedCircle

If you enjoyed this episode, please consider contributing to our Patreon to support this free podcast.
http://patreon.com/join/homogroundBelow are the artists featured in this episode in order of appearance. Their artist name, location and song featured is listed beneath their photo.

CHAV – Los Angeles, California – “Fashion Ho”
CHAV is a pop star from an alternate timeline who somehow found themselves in our today. They’ve come to remind us of who we are and who we could be, bringing with them a sweet and delicious taste of another world. CHAV currently chooses to communicate with this timeline through popular music, loading their verses with complex and nuanced ideas around race, gender, love and loss.
“As an artist with intersecting identities–black, queer, nonbinary, and someone who grew up with limited resources, I’m constantly having to prove how I’m viable in the music industry. Homoground using their platform to center the voices of people with marginalized identities is so in line with the community work that I do through Flat Pop Records, the label my partner and I started last year, as well as many of my other initiatives.”

Wildcard Characters – Worcester, Massachusetts – “Louder”
Music is dark matter. Magic is the stars. The future is x. Wildcard Characters is an unquestionably queer duo inspired by the nature of things that are fluid and ever changing. From gender and expression to exploration of things unknown, these characters leave things open to possibility and imagination.
“The COVID-19 pandemic has severely limited our ability to work as independent contractors. Between cancelled gigs and terminated projects, maintaining economic security has become a main concern. We believe that as queer artists, we are strongest when we raise our voices together. We grow and learn from sharing our experiences and our visions. Resources and community building platforms like Homoground are powerful avenues for the amplification of queer voices.”

Powderpaint – Brighton, East Sussex, England – “Fall Together”
“We want to be more visible as trans artists, celebrating queerness with big joyous tunes and danceable bangers. Particularly at a time when there is a national ‘debate’ in the UK orchestrated by high-profile TERFs who have set the agenda of every mainstream media outlet, we just want to be there to make our community feel like they can dance. If a few more queers out there get to hear us it’d be wonderful.”

Bebop Rocksteady – Brooklyn, New York – “Break in Case of Emergency”
Bebop Rocksteady is a radical nonbinary harm reductionist and drug policy reform advocate, activist, and philanthropist who DJs and makes music.

Danielle Grubb – Dallas, Texas – “Untitled”
The non-binary artist, Danielle Grubb, calls out to a lover in an attempt to deliver a message that they never sent. Their new song, Untitled, is an eclectic mix of classical piano motifs and pumping synths over house influenced rhythms. The song also presents the feeling of mourning in a less traditional sense.
“It’s the beginning of the loss of self into another person. I used to try to always paint the happy picture, and by doing so, left out the intricacies of what happens to a person’s identity when they fall in love,” says Danielle.
I just came out as trans masc, and it’s hard to get people to adjust to using my pronouns. I was recently misgendered on a radio show. And I thought to myself, this is probably no longer the platform for me. I’m having to navigate spaces all over again. It’s been a trip.
“I’m finally in the right emotional and mental state to make the music I’ve always wanted to be making, and I’m happy to be here,” Danielle says.

Odd!Drey – Jakarta, Indonesia – “Lofi”
“Just an 18 year old trying to put out my stories, and hoping that people will relate and find some semblance of comfort.
This track, Lofi, was inspired by my view on flings and passionate yet short-lived relationships and the word LoFi itself. The title itself is a wordplay. Lofi is the shortened form of Low Fidelity, a music genre that refers to music that is ‘low in quality or raw’. Fidelity itself means loyalty. I chose to use the word Lofi to imply low levels in loyalty. The song itself is slightly raw and lofi, in symbolism to those quick but passionate relationships I’m singing about. In this song, I let all my vulnerability be seen by the other person, and I hide nothing; but it’s because I have nothing else to lose since I won’t be with them for long. And thus with the music. It’s imperfect, but it’s real and authentic with nothing hidden.
I’d love to connect with people who I relate to, who are like myself, who are people I could look up to and want to grow with. I’d love to be heard by those very same people.”

Arami – Philadelphia, Pennsylvania – “Whatcha Like”
“I am a singer/songwriter, producer, audio engineer, and poet from Philadelphia, PA. I’ve been making music for about 4 years give or take and I feel like my sound is Alternative Soul. I love all genres and take from them all so I try to implement that into my music. My influences come from everywhere but a couple of artist who have inspired me lately are Cleo Sol, REIYO, Alex Isley, and Victoria Monet.
I feel like I would be perfect for Homoground because I am a queer, non-conforming artist and I feel like we don’t get enough exposure in the media. Kids and teenagers only have “straight” music to listen to especially in the mainstream media and it sucks because not only is there better music out there but it’s really narrow minded and non-progressive.”
CREDITS
This episode was produced by D Orxata
Executive production and intro/outro by Lynn Casper
Homoground Theme Song by data.data.data
SPONSOR

Struggling with business financials? Homoground uses SusieQ Bookkeeping, a motley crew of queer bookkeepers and accountants who love the finances as much as you love your business. At SQB they know that entrepreneurs of all kinds need to spend their time doing what they love and growing, not worrying about payroll and taxes. SQB provides financial and administrative support to all industries tailored to your needs.
Schedule a consultation today! -
Trumpet Wom – Philadelphia, Pennsylvania [Episode #268]
By Homoground
Powered by RedCircle
Trumpet Wom is a Philadelphia-based musician who combines trumpet, keys, & singing into original and badass music.
In this episode, Trumpet Wom speaks with musician and Homoground Producer Maia Macdonald about music process, inspiration, living in a capitalist regime, our responsibility to understand and heal our ancestral trauma, and of course… trumpet!
Songs featured in this episode: Smooches, Your Fool, TY FY, Protons and Electrons
Support Trumpet Wom on Patreon, Bandcamp or get updates on her official website.

If you enjoyed this episode, please consider contributing to our Patreon to support this free podcast.
http://patreon.com/join/homogroundWe do not have a transcription of this episode available. To help us create a transcription of this episode, please donate to our Patreon to support our transcription efforts.
CREDITS
This interview was recorded and produced by Maia Macdonald
Executive Producer: Lynn Casper
SPONSORS

Struggling with business financials? Homoground uses SusieQ Bookkeeping, a motley crew of queer bookkeepers and accountants who love the finances as much as you love your business. At SQB they know that entrepreneurs of all kinds need to spend their time doing what they love and growing, not worrying about payroll and taxes. SQB provides financial and administrative support to all industries tailored to your needs.
Schedule a consultation today!COMMUNITY SUPPORT

RSVP to Homoground’s Queer Podcasters Meetup on Sunday, April 25th at 3pm ET.

Hey Homoground listeners! I’m Anna, co-creator of PB&Qs (professionals, business, and queers), an online community for queer women, trans, and gender-nonconforming entrepreneurs and business professionals.
In addition to our Slack group, we host a monthly discussion series called “Thinking Out Loud.” On the first Wednesday of every month we dive deep into a topic, creating a space where we can share our stories and learn from each other. On May 7th we’re exploring the feeling of not being queer enough—whether you don’t have an undercut, got married and had kids, don’t know the latest label or trending phrase, can’t name a celebrity to save your life, or have to day-in and day-out confront the continued erasure of bisexuality from queer culture.Join us, a group of LGBTQ+ women, trans, and gender-nonconforming folk, to hear stories, get ideas, and remind yourself you’re not alone. Go to https://pbandqs.ck.page/join to learn more.
Country Queers is an ongoing multimedia oral history project documenting the diverse experiences of rural, small town, and country LGBTQIA+ folks in the U.S. – across intersecting layers of identity such as race, class, age, ability, gender identity, and religion.

-
Emily Wells – New York, NY [Episode #240]
By Homoground
Episode #240 is up featuring a conversation between Emily Wells and Homoground host Maia Macdonald. Emily gives us tons of insight behind her latest album “This World is too ______ for you” and the process behind orchestrating her live performance.

If you enjoyed this episode, please consider contributing to our Patreon to support this free podcast.
http://patreon.com/join/homogroundTranscription of Emily’s story:
” I guess you kind of have to compartmentalize the processes. So when I was writing the record, for instance, and when I’ve written any records, I find that my process hones over the years. I go into a different kind of self-hood, I would say, and I allow myself to go into that, and I really limit any performances, which is a bit of a luxury. You kind of have to get really scrappy and frugal. Just tour your ass off and then try to make room for yourself to be a maker and not a minstrel. I engage a lot with literature during this period and poetry, and I’m really interested in the mind and how the mind works. All of these things are all connected. And all of that can, if you’re open, become part of the songs as well. So I just try to be that “self” and try to write songs. Almost simply, especially this record, I forced myself that they had to pass the Casio Test. I don’t have a proper piano in my studio, so if I could play it on this old Casio keyboard and sing along with it, and it still was emotional and still was a “good song”, then it passed. Otherwise, it was out. That helps me not get too caught in the… You have some nights where you’re working on things and you start to dabble into the production side of it, which is really fun and can be a great release. But I still had to step away at the end of each song. Then you move into recording mode, then you move into editor mode, then you move into insane person mode, actually making the final decisions, and then you move into like an intern at your label trying to like make it work, you know.”
You can read the full transcript of Emily’s interview on our patreon.
CREDITS
This episode was recorded and produced by Maia Macdonald.
Executive Producer: Lynn Casper
Intro Jingle by data.data.data
Interview transcription by D Orxata
Transcription was made possible by Queer Public Podcast who let us use their transcription software.














