Episode #256 features the words and music of Brooklyn-based singer/songwriter Mylo Choy. In this episode, Mylo talks about artistic expression and collaborations within a solo music project, how to experience sadness without getting stuck dwelling in the feeling, lessons learned from being raised in a Buddhist family and more.
The songs featured in order of appearance:
“All The Sun”, “Meet Me in the Middle” and “Tides” from their EP “Night is Like the Ocean” plus “Kolea’s First Journey” from their 2017 album “Delta“.
Follow Mylo online at mylochoy.com
Buy their music on bandcamp mylochoy.bandcamp.com
Full Transcription of Mylo’s story:
Hello, I’m Mylo Choy. I live in Brooklyn, New York. Most of my career has been working with youth and making art and music. They seem different, but a lot of them are the same because all of it is about how people feel. *laughs* This E.P “Night is like the Ocean” was recorded upstate in Livingston Manor, New York. A friend of a friend is the engineer and producer on it. I’ve worked with him several times. First, with my old band Small Talk and I just really liked his vibe. And also the recording studio is this house that has windows all the way around and you can see the snow. Winter is such a great time to record because you really can’t do much else. I just always like working with him. It’s really nice to work with someone where you could ask someone their honest opinion and they’ll tell you and they’ll always go with your decision at the end of the day, because I am such a control freak, especially when it comes to art things. I think because it’s so personal. I’d like to get to a point where I’m a little more collaborative.
You can read the full transcript of Mylo’s story on our patreon.
CREDITS
This episode was recorded and produced by Maia Macdonald.
Executive Production and End Credits hosted by Lynn Casper
Intro Jingle by data.data.data
Transcription was made possible by Queer Public Podcast who let us use their transcription software.
Our affiliate sponsor for this episode is Pride Counseling. Homoground listeners receive a 1 week free trial when they sign up through this link. We also receive commission from each sign up that becomes a paid member. These funds helps us produce episodes like this 🙂
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Trumpet Wom – Philadelphia, Pennsylvania [Episode #268]
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Trumpet Wom is a Philadelphia-based musician who combines trumpet, keys, & singing into original and badass music.
In this episode, Trumpet Wom speaks with musician and Homoground Producer Maia Macdonald about music process, inspiration, living in a capitalist regime, our responsibility to understand and heal our ancestral trauma, and of course… trumpet!
Songs featured in this episode: Smooches, Your Fool, TY FY, Protons and Electrons
Support Trumpet Wom on Patreon, Bandcamp or get updates on her official website.
If you enjoyed this episode, please consider contributing to our Patreon to support this free podcast.
http://patreon.com/join/homogroundWe do not have a transcription of this episode available. To help us create a transcription of this episode, please donate to our Patreon to support our transcription efforts.
CREDITS
This interview was recorded and produced by Maia Macdonald
Executive Producer: Lynn Casper
SPONSORS
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In addition to our Slack group, we host a monthly discussion series called “Thinking Out Loud.” On the first Wednesday of every month we dive deep into a topic, creating a space where we can share our stories and learn from each other. On May 7th we’re exploring the feeling of not being queer enough—whether you don’t have an undercut, got married and had kids, don’t know the latest label or trending phrase, can’t name a celebrity to save your life, or have to day-in and day-out confront the continued erasure of bisexuality from queer culture.Join us, a group of LGBTQ+ women, trans, and gender-nonconforming folk, to hear stories, get ideas, and remind yourself you’re not alone. Go to https://pbandqs.ck.page/join to learn more.
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Sinzere – Calgary, Alberta, Canada [Episode #254]
Tune in to episode #254 to learn more about Afro-Canadian hip hop artist Sinzere as she talks about very personal and intimate life experiences including what its been like growing up with abuse in Calgary as a queer Black woman, the importance of transparency, and how music was always there for her. We go behind the music learning more about the inspiration for the songs featured as well as the music video for her song “Posers” off her latest album “Ghetto Gabby”.
If you enjoyed this episode, please consider contributing to our Patreon to support this free podcast.
http://patreon.com/join/homogroundEpisode Sponsor
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Transcription of Sinzere’s story:
My artist name is Sinzere, obviously derives from the word sincere. What I did is I just switched the letter of “C” with the letter “Z” just to kind of give it its own identity, as a cool way to represent everything that I am. I’m very sincere to my artistry. It made a lot of sense, in that aspect. I go by the name of Sinzere. Music has kind of been with me since I was a young girl. I remember at a very young age, like around five, four or five, it was kind of like a way to escape the things that I was going through at that time. It’s always kind of been there, through my story when I really got into music and started recording records and working on production. I would say about 2012, it was self-start, it was DIY. In the beginning it was a notepad and ideas and a beat from a stereo. As I progressed and as I learned more and started taking it a little more seriously, I graduated from that to a friend’s basement, to a computer with computer headphones that had a microphone attached, super amateur, and I graduated from that to a friend’s bathroom. It started growing where, you know, we had maybe an apple tower, and a professional microphone and more things to work with. We used programs like Logic, and finally graduating to a state of the art studio. It started with just a notepad and a beat.
You can read the full transcript of Sinzere’s story on our patreon.
CREDITS
This episode was recorded and produced by Erin McGregor of Queer Public.
Executive Production and end credits hosted by Lynn Casper.
Intro Jingle by data.data.data
Interview transcription by Major Davis.
Transcriptions made possible by Queer Public Podcast who let us use their transcription software.
Our affiliate sponsor for this episode is Pride Counseling. Homoground listeners receive a 1 week free trial when they sign up through this link. We also receive commission from each sign up that becomes a paid member. These funds helps us produce episodes like this 🙂
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Emily Wells – New York, NY [Episode #240]
Episode #240 is up featuring a conversation between Emily Wells and Homoground host Maia Macdonald. Emily gives us tons of insight behind her latest album “This World is too ______ for you” and the process behind orchestrating her live performance.
If you enjoyed this episode, please consider contributing to our Patreon to support this free podcast.
http://patreon.com/join/homogroundTranscription of Emily’s story:
” I guess you kind of have to compartmentalize the processes. So when I was writing the record, for instance, and when I’ve written any records, I find that my process hones over the years. I go into a different kind of self-hood, I would say, and I allow myself to go into that, and I really limit any performances, which is a bit of a luxury. You kind of have to get really scrappy and frugal. Just tour your ass off and then try to make room for yourself to be a maker and not a minstrel. I engage a lot with literature during this period and poetry, and I’m really interested in the mind and how the mind works. All of these things are all connected. And all of that can, if you’re open, become part of the songs as well. So I just try to be that “self” and try to write songs. Almost simply, especially this record, I forced myself that they had to pass the Casio Test. I don’t have a proper piano in my studio, so if I could play it on this old Casio keyboard and sing along with it, and it still was emotional and still was a “good song”, then it passed. Otherwise, it was out. That helps me not get too caught in the… You have some nights where you’re working on things and you start to dabble into the production side of it, which is really fun and can be a great release. But I still had to step away at the end of each song. Then you move into recording mode, then you move into editor mode, then you move into insane person mode, actually making the final decisions, and then you move into like an intern at your label trying to like make it work, you know.”
You can read the full transcript of Emily’s interview on our patreon.
CREDITS
This episode was recorded and produced by Maia Macdonald.
Executive Producer: Lynn Casper
Intro Jingle by data.data.data
Interview transcription by D Orxata
Transcription was made possible by Queer Public Podcast who let us use their transcription software.
