Growth, evolution, and what’s next with the prolific artist Sarah Jaffe. She discuss creative process, collaborating with other artists, sampling a mystery voicemail for her EP, her life in Texas and New York, and more.

Episode Sponsor

This episode is sponsored by TAIMI – an inclusive LBGTQIA+ dating and social app available on iOS and Android. 

Transcription of Sarah’s story:

– coming soon –

Find out more about our transcription project here.

CREDITS

This episode was recorded and produced by Maia Macdonald.

Executive Production and end credits hosted by Lynn Casper.

Intro Jingle by data.data.data

Our affiliate sponsor for this episode is Pride Counseling. Homoground listeners receive a 1 week free trial when they sign up through this link. We also receive commission from each sign up that becomes a paid member. These funds helps us produce episodes like this 🙂

Our latest episode features the words and songs of Lane Moore. Lane is a member of the band It Was Romance, produces a regular live event called Tinder Live, wrote a book called How to be Alone: If you want to and even if you don’t and did a Tedx talk on the same topic, among many other amazing things.

Terra Lopez of Los Angeles, CA based Rituals of Mine speaks about her upcoming album, live performances, and why she changed her project name from Crayon Sister to Rituals of Mine with Homoground correspondent Maia Macdonald (Kid in the Attic, Brooklyn NY)

Transcription of Terra’s story:

“Nowadays with social media, it’s a lot of work to be vulnerable. It’s a lot of work to be present online and to put yourself out there every single day, but its also very rewarding. It has given me the motivation to continue going in the industry when fans connect and come up to me at shows to talk about mental health, insecurities, or how our music is able to keep them going. Me sharing my journey with mental health and suicide prevention has helped them in their own way. It’s pretty remarkable. It continues to keep me open. Anytime that I’m feeling insecure thinking, “oh god, maybe I share too much.” To hear feedback and that it’s actually helping other folks makes me think, “this is what I’m meant to do and I’m going to keep doing it.” To me, that’s success and the type of energy exchange that I want to have with people while I’m doing this, is to be 100 percent authentic, so that everyone can feel comfortable and safe at our shows and safe in in music in general.”

You can read the full transcript of Terra’s interview on our patreon.

CREDITS

This episode was recorded and produced by Maia Macdonald.

Executive Producer: Lynn Casper

Intro Jingle by data.data.data

Interview transcription by Major Davis.

Transcription was made possible by Queer Public Podcast who let us use their transcription software.

Episode #240 is up featuring a conversation between Emily Wells and Homoground host Maia Macdonald. Emily gives us tons of insight behind her latest album “This World is too ______ for you” and the process behind  orchestrating her live performance. 

Transcription of Emily’s story:

” I guess you kind of have to compartmentalize the processes. So when I was writing the record, for instance, and when I’ve written any records, I find that my process hones over the years. I go into a different kind of self-hood, I would say, and I allow myself to go into that, and I really limit any performances, which is a bit of a luxury. You kind of have to get really scrappy and frugal. Just tour your ass off and then try to make room for yourself to be a maker and not a minstrel. I engage a lot with literature during this period and poetry, and I’m really interested in the mind and how the mind works. All of these things are all connected. And all of that can, if you’re open, become part of the songs as well. So I just try to be that “self” and try to write songs. Almost simply, especially this record, I forced myself that they had to pass the Casio Test. I don’t have a proper piano in my studio, so if I could play it on this old Casio keyboard and sing along with it, and it still was emotional and still was a “good song”, then it passed. Otherwise, it was out. That helps me not get too caught in the… You have some nights where you’re working on things and you start to dabble into the production side of it, which is really fun and can be a great release. But I still had to step away at the end of each song. Then you move into recording mode, then you move into editor mode, then you move into insane person mode, actually making the final decisions, and then you move into like an intern at your label trying to like make it work, you know.”

You can read the full transcript of Emily’s interview on our patreon.

CREDITS

This episode was recorded and produced by Maia Macdonald.

Executive Producer: Lynn Casper

Intro Jingle by data.data.data

Interview transcription by D Orxata

Transcription was made possible by Queer Public Podcast who let us use their transcription software.