CREDITS
This episode was recorded and produced by Erin McGregor of Queer Public.
Executive Producer: Lynn Casper
Intro Jingle by data.data.data
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Madeline Finn – Nashville, TN [Episode #258]
By HomogroundIn episode #258, Nashville, TN -based musician Madeline Finn talks about the healing journey of writing songs through breakups, the transition from performing in front of a live audience to livestreams which has led to more introspection.
The songs featured in this episode: “Timing is Everything” and “Save Yourself”
Follow Madeline at madelinefinnmusic.com
If you enjoyed this episode, please consider contributing to our Patreon to support this free podcast.
http://patreon.com/join/homogroundTranscription of Madeline Finn’s Story:
“Same ground. Different sound. You’re listening to Homoground. This is Madeline Finn from Nashville, Tennessee and I identify as queer.
“Since COVID-19, I’ve had to cancel a full European tour, a full living room tour that I had booked for the summer and a couple other really awesome opportunities like opening up for Brent Cobb and Rainbow Girls and some other festivals as well. It’s been weird shifting into an online presence as opposed to a live performance, because I feel personally that the live performance is where I thrive; the live performance is the part I love most about my job other than connecting with people and to not have it in my current reality is tough. Shifting to an online presence has been challenging for me, mostly because I’m not great at technology, but we’re learning! The livestreams have been cool, but it’s been more of an introspective time. You know, when I perform, I feed off the energy of those listening. I feed off the crowd interaction and all that. And with that gone, because when you play, you know, people can comment, but you don’t hear applause. You don’t get to see people reacting or get to share that emotional energy that’s just in the room with them. So it’s been more introspective. I’ve been able to, like, play a song and feel it for myself and kind of go inward. This has been a time of a lot of self-reflection. And as I start to try and bring that out on my social media and on my livestreams and on things like this, it’s brand new for me. But I think it’s taking me to a place of more integrity and more vulnerability. And I’m really excited for how this time is going to shape my live show in the future.”
You can read the full transcript of Madeline’s story on our patreon.
CREDITS
This episode was produced and hosted by Lynn Casper.
Intro Jingle by data.data.data
Transcription was made possible by Queer Public Podcast who let us use their transcription software.
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CHAV / Wildcard Characters / Powderpaint / Bebop Rocksteady / Danielle Grubb / Odd!Drey / Arami [Episode #263]
By HomogroundPowered by RedCircle
If you enjoyed this episode, please consider contributing to our Patreon to support this free podcast.
http://patreon.com/join/homogroundBelow are the artists featured in this episode in order of appearance. Their artist name, location and song featured is listed beneath their photo.
CHAV – Los Angeles, California – “Fashion Ho”
CHAV is a pop star from an alternate timeline who somehow found themselves in our today. They’ve come to remind us of who we are and who we could be, bringing with them a sweet and delicious taste of another world. CHAV currently chooses to communicate with this timeline through popular music, loading their verses with complex and nuanced ideas around race, gender, love and loss.
“As an artist with intersecting identities–black, queer, nonbinary, and someone who grew up with limited resources, I’m constantly having to prove how I’m viable in the music industry. Homoground using their platform to center the voices of people with marginalized identities is so in line with the community work that I do through Flat Pop Records, the label my partner and I started last year, as well as many of my other initiatives.”
Wildcard Characters – Worcester, Massachusetts – “Louder”
Music is dark matter. Magic is the stars. The future is x. Wildcard Characters is an unquestionably queer duo inspired by the nature of things that are fluid and ever changing. From gender and expression to exploration of things unknown, these characters leave things open to possibility and imagination.
“The COVID-19 pandemic has severely limited our ability to work as independent contractors. Between cancelled gigs and terminated projects, maintaining economic security has become a main concern. We believe that as queer artists, we are strongest when we raise our voices together. We grow and learn from sharing our experiences and our visions. Resources and community building platforms like Homoground are powerful avenues for the amplification of queer voices.”
Powderpaint – Brighton, East Sussex, England – “Fall Together”
“We want to be more visible as trans artists, celebrating queerness with big joyous tunes and danceable bangers. Particularly at a time when there is a national ‘debate’ in the UK orchestrated by high-profile TERFs who have set the agenda of every mainstream media outlet, we just want to be there to make our community feel like they can dance. If a few more queers out there get to hear us it’d be wonderful.”
Bebop Rocksteady – Brooklyn, New York – “Break in Case of Emergency”
Bebop Rocksteady is a radical nonbinary harm reductionist and drug policy reform advocate, activist, and philanthropist who DJs and makes music.
Danielle Grubb – Dallas, Texas – “Untitled”
The non-binary artist, Danielle Grubb, calls out to a lover in an attempt to deliver a message that they never sent. Their new song, Untitled, is an eclectic mix of classical piano motifs and pumping synths over house influenced rhythms. The song also presents the feeling of mourning in a less traditional sense.
“It’s the beginning of the loss of self into another person. I used to try to always paint the happy picture, and by doing so, left out the intricacies of what happens to a person’s identity when they fall in love,” says Danielle.
I just came out as trans masc, and it’s hard to get people to adjust to using my pronouns. I was recently misgendered on a radio show. And I thought to myself, this is probably no longer the platform for me. I’m having to navigate spaces all over again. It’s been a trip.
“I’m finally in the right emotional and mental state to make the music I’ve always wanted to be making, and I’m happy to be here,” Danielle says.
Odd!Drey – Jakarta, Indonesia – “Lofi”
“Just an 18 year old trying to put out my stories, and hoping that people will relate and find some semblance of comfort.
This track, Lofi, was inspired by my view on flings and passionate yet short-lived relationships and the word LoFi itself. The title itself is a wordplay. Lofi is the shortened form of Low Fidelity, a music genre that refers to music that is ‘low in quality or raw’. Fidelity itself means loyalty. I chose to use the word Lofi to imply low levels in loyalty. The song itself is slightly raw and lofi, in symbolism to those quick but passionate relationships I’m singing about. In this song, I let all my vulnerability be seen by the other person, and I hide nothing; but it’s because I have nothing else to lose since I won’t be with them for long. And thus with the music. It’s imperfect, but it’s real and authentic with nothing hidden.
I’d love to connect with people who I relate to, who are like myself, who are people I could look up to and want to grow with. I’d love to be heard by those very same people.”
Arami – Philadelphia, Pennsylvania – “Whatcha Like”
“I am a singer/songwriter, producer, audio engineer, and poet from Philadelphia, PA. I’ve been making music for about 4 years give or take and I feel like my sound is Alternative Soul. I love all genres and take from them all so I try to implement that into my music. My influences come from everywhere but a couple of artist who have inspired me lately are Cleo Sol, REIYO, Alex Isley, and Victoria Monet.
I feel like I would be perfect for Homoground because I am a queer, non-conforming artist and I feel like we don’t get enough exposure in the media. Kids and teenagers only have “straight” music to listen to especially in the mainstream media and it sucks because not only is there better music out there but it’s really narrow minded and non-progressive.”
CREDITS
This episode was produced by D Orxata
Executive production and intro/outro by Lynn Casper
Homoground Theme Song by data.data.data
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Terra Lopez of Rituals of Mine – Los Angeles, California [#Episode 247]
By HomogroundTerra Lopez of Los Angeles, CA based Rituals of Mine speaks about her upcoming album, live performances, and why she changed her project name from Crayon Sister to Rituals of Mine with Homoground correspondent Maia Macdonald (Kid in the Attic, Brooklyn NY)
If you enjoyed this episode, please consider contributing to our Patreon to support this free podcast.
http://patreon.com/join/homogroundTranscription of Terra’s story:
“Nowadays with social media, it’s a lot of work to be vulnerable. It’s a lot of work to be present online and to put yourself out there every single day, but its also very rewarding. It has given me the motivation to continue going in the industry when fans connect and come up to me at shows to talk about mental health, insecurities, or how our music is able to keep them going. Me sharing my journey with mental health and suicide prevention has helped them in their own way. It’s pretty remarkable. It continues to keep me open. Anytime that I’m feeling insecure thinking, “oh god, maybe I share too much.” To hear feedback and that it’s actually helping other folks makes me think, “this is what I’m meant to do and I’m going to keep doing it.” To me, that’s success and the type of energy exchange that I want to have with people while I’m doing this, is to be 100 percent authentic, so that everyone can feel comfortable and safe at our shows and safe in in music in general.”
You can read the full transcript of Terra’s interview on our patreon.
CREDITS
This episode was recorded and produced by Maia Macdonald.
Executive Producer: Lynn Casper
Intro Jingle by data.data.data
Interview transcription by Major Davis.
Transcription was made possible by Queer Public Podcast who let us use their transcription software.
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