Episode #240 is up featuring a conversation between Emily Wells and Homoground host Maia Macdonald. Emily gives us tons of insight behind her latest album “This World is too ______ for you” and the process behind orchestrating her live performance.
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Transcription of Emily’s story:
” I guess you kind of have to compartmentalize the processes. So when I was writing the record, for instance, and when I’ve written any records, I find that my process hones over the years. I go into a different kind of self-hood, I would say, and I allow myself to go into that, and I really limit any performances, which is a bit of a luxury. You kind of have to get really scrappy and frugal. Just tour your ass off and then try to make room for yourself to be a maker and not a minstrel. I engage a lot with literature during this period and poetry, and I’m really interested in the mind and how the mind works. All of these things are all connected. And all of that can, if you’re open, become part of the songs as well. So I just try to be that “self” and try to write songs. Almost simply, especially this record, I forced myself that they had to pass the Casio Test. I don’t have a proper piano in my studio, so if I could play it on this old Casio keyboard and sing along with it, and it still was emotional and still was a “good song”, then it passed. Otherwise, it was out. That helps me not get too caught in the… You have some nights where you’re working on things and you start to dabble into the production side of it, which is really fun and can be a great release. But I still had to step away at the end of each song. Then you move into recording mode, then you move into editor mode, then you move into insane person mode, actually making the final decisions, and then you move into like an intern at your label trying to like make it work, you know.”
You can read the full transcript of Emily’s interview on our patreon.
CREDITS
This episode was recorded and produced by Maia Macdonald.
Executive Producer: Lynn Casper
Intro Jingle by data.data.data
Interview transcription by D Orxata
Transcription was made possible by Queer Public Podcast who let us use their transcription software.
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Cruisin Records: Lonesome Leash / LAL / Holodeck Heart / Wizard Apprentice / Loamlands / Nana Grizol / Slashed Tires / ManDate / Danny Denial / Old Dark House [Episode #266]
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In this episode of Homoground, you’ll hear music from bands on Cruisin Records.Cruisin Records is a label created to support Queer artists. It is run by Theo Hilton (Nana Grizol), Clyde Petersen (Your Heart Breaks/ManDate) and Darby Cox based in New Orleans, Anacortes, and Philadelphia. The label emerged from long conversations between Clyde Petersen and Theo Hilton about how to support the amazing musicians they’ve met over years of creating music and touring.Theo, Clyde and Darby will be joining us at this month’s HomoTime event on Sunday, February 28 at 3pm ET to discuss what its like running a record label and answering any questions you have. We’ll also be joined by Cruisin Records artists: Danny Denial and Wizard Apprentice who are also featured on this episode. This event is free but you will need to RSVP to get the zoom link.Below are the artists featured in this episode in order of appearance. Their artist name, location and song featured is listed beneath their photo.
Lonesome Leash – Los Angeles, California – “Ghost in The Garden”
LAL – Toronto, Canada – “Wild Flowers”
Holodeck Heart – Seattle, Washington / Portland, Oregon – “Janeway & Seven”
Wizard Apprentice – Los Angeles, California – “Betrayal Internalized”
Loamlands – Durham, North Carolina – “How Do You See Me”
Nana Grizol – New Orleans, Louisiana – “We Carry the Feeling”
Slashed Tires – Seattle, Washington – “Lost Distance”
ManDate – Seattle, Washington – “Alternate History”
Danny Denial – Seattle, Washington – “White Tears, Fake Queers” (Feat. Rat Queen, Dirty Dirty, Slow Elk & Razor Clam)
Old Dark House – Seattle, Washington – “Through The Trees”
CREDITS
This episode was produced by Casper
Homoground Theme Song by data.data.data
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On this episode you heard promo trailers from:
Queer Public A podcast about real-life queer life. Each episode asks critical questions about queer identity, queer politics and our queer culture. Their first season is available for binging!
Pixel Therapy Podcast A bi-weekly podcast bringing you new perspectives on video game culture and current events while centering the relationships queer folks, trans folks, people of color, disabled folks, and other marginalized players have with games.
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Jenn Champion – Los Angeles, California [Episode #235]
If you enjoyed this episode, please consider contributing to our Patreon to support this free podcast.
http://patreon.com/join/homogroundCREDITS
This episode was recorded and produced by Erin McGregor of Queer Public.
Executive Producer: Lynn Casper
Intro Jingle by data.data.data
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Mylo Choy – Brooklyn, NY [Episode #256]
Episode #256 features the words and music of Brooklyn-based singer/songwriter Mylo Choy. In this episode, Mylo talks about artistic expression and collaborations within a solo music project, how to experience sadness without getting stuck dwelling in the feeling, lessons learned from being raised in a Buddhist family and more.
The songs featured in order of appearance:
“All The Sun”, “Meet Me in the Middle” and “Tides” from their EP “Night is Like the Ocean” plus “Kolea’s First Journey” from their 2017 album “Delta“.Follow Mylo online at mylochoy.com
Buy their music on bandcamp mylochoy.bandcamp.comFull Transcription of Mylo’s story:
Hello, I’m Mylo Choy. I live in Brooklyn, New York. Most of my career has been working with youth and making art and music. They seem different, but a lot of them are the same because all of it is about how people feel. *laughs* This E.P “Night is like the Ocean” was recorded upstate in Livingston Manor, New York. A friend of a friend is the engineer and producer on it. I’ve worked with him several times. First, with my old band Small Talk and I just really liked his vibe. And also the recording studio is this house that has windows all the way around and you can see the snow. Winter is such a great time to record because you really can’t do much else. I just always like working with him. It’s really nice to work with someone where you could ask someone their honest opinion and they’ll tell you and they’ll always go with your decision at the end of the day, because I am such a control freak, especially when it comes to art things. I think because it’s so personal. I’d like to get to a point where I’m a little more collaborative.
You can read the full transcript of Mylo’s story on our patreon.
CREDITS
This episode was recorded and produced by Maia Macdonald.
Executive Production and End Credits hosted by Lynn Casper
Intro Jingle by data.data.data
Transcription was made possible by Queer Public Podcast who let us use their transcription software.
Our affiliate sponsor for this episode is Pride Counseling. Homoground listeners receive a 1 week free trial when they sign up through this link. We also receive commission from each sign up that becomes a paid member. These funds helps us produce episodes like this 🙂
