Growth, evolution, and what’s next with the prolific artist Sarah Jaffe. She discuss creative process, collaborating with other artists, sampling a mystery voicemail for her EP, her life in Texas and New York, and more.
Episode Sponsor
This episode is sponsored by TAIMI – an inclusive LBGTQIA+ dating and social app available on iOS and Android.
Transcription of Sarah’s story:
– coming soon –
Find out more about our transcription project here.
CREDITS
This episode was recorded and produced by Maia Macdonald.
Executive Production and end credits hosted by Lynn Casper.
Intro Jingle by data.data.data
Our affiliate sponsor for this episode is Pride Counseling. Homoground listeners receive a 1 week free trial when they sign up through this link. We also receive commission from each sign up that becomes a paid member. These funds helps us produce episodes like this 🙂
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How COVID-19 is impacting LGBTQIA musicians [Episode #255]
By HomogroundWith the rise of COVID-19 cases, many steps are being taken to prevent the spread and ensure people’s safety. This is leaving many people out of work and affecting their sources of income. For musicians, it is resulting in the cancellation of live events and tours, which is how many musicians generate their income. LGBTQIA musicians already face many struggles and having to cancel their main sources of income and a way that they’re able to connect with their communities is a huge blow.
During this time, Homoground hosted a virtual panel to hear from musicians in our LGBTQIA community who are being affected by COVID-19 and to discuss ways that we as a community can help each other, as well as come up with solutions to alternative ways to survive financially during this time.
We heard directly from:
Terra Lopez (Rituals of Mine)
Lauren Denitzio (Worriers)
Kim Villagant (Kimmortal)
+ moreContinue this discussion and find support on the Homoground Discord.
We will be posting more events like this on our Patreon, including skillshares and more panel discussions on specific topics that came up during this panel.
Resources mentioned on this call:
Virtual Music Events Directory: A Calendar of Livestreaming events plus a Livestreaming Tool Directory with resources to setting up your own livestream https://docs.google.com/document/d/11wWL_7I4BG76t0V2kw1a4yIeWxUSfGwMQFYdUWAgSnA/preview#heading%3Dh.6p7nn4acptfw
She Shreds Magazine: List of resources for musicians. General plus state specific resources. They will continue to update it: https://sheshredsmag.com/covid-19-resources-for-musicians/
Freelance Artist Resources: This list is specifically designed to serve freelance artists, and those interested in supporting the independent artist community. This includes, but is not limited to, actors, designers, producers, technicians, stage managers, musicians, composers, choreographers, visual artists, filmmakers, craft artists, teaching artists, dancers, writers & playwrights, photographers, etc. https://covid19freelanceartistresource.wordpress.com/
Artist Relief Tree: A new fund created to financially support artists who are affected by cancellations due to COVID-19.
https://artistrelieftree.com/
MusiCares COVID-19 Relief Fund: To help address the concerns of the industry during this time, MusiCares have expanded their services to include lost income due to the cancellation of scheduled gigs or performances due to Coronavirus/COVID-19 precautionary measures. https://www.grammy.com/musicares/get-help/musicares-coronavirus-relief-fund
Women in Sound: An ongoing list of free and discounted educational resources, software licenses, webinars, online courses, and enjoyable media for these uncertain times. https://www.womeninsound.com/covid19-resources
Equal Sound Corona Relief Fund: Relief Fund for musicians with canceled work. Musicians can apply for financial assistance. People who have $$ can also donate to this fund. https://equalsound.org/project/corona-relief-fund/
Corona Virus Resource List: A comprehensive list of TONS of resources (general, not musician/artist specific, but very useful): https://docs.google.com/document/d/1Rcan4C_e6OBFBI5bUn7MtYK74Ab-WarxyJmDvZUI_YA/mobilebasicThis episode is brought to you by TERRORBIRD MEDIA, a queer-owned music marketing company who encourages you to directly support independent artists wherever you can, today and always: Buy records and merch directly from artists or their labels, and send yourself or a homebound pal a musical care package! Subscribe to their patreon, or even donate directly via their preferred payment app. For more suggestions and info on how – and who – you can help, follow @terrorbirdmedia on Twitter and Instagram.
/// Technology to host this panel is made possible by Composites Collective, operating at the intersection of design & technology, behavioral sciences and technology. http://compositescollective.com \\\
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CHAV / Wildcard Characters / Powderpaint / Bebop Rocksteady / Danielle Grubb / Odd!Drey / Arami [Episode #263]
By HomogroundPowered by RedCircle
Below are the artists featured in this episode in order of appearance. Their artist name, location and song featured is listed beneath their photo.
CHAV – Los Angeles, California – “Fashion Ho”
CHAV is a pop star from an alternate timeline who somehow found themselves in our today. They’ve come to remind us of who we are and who we could be, bringing with them a sweet and delicious taste of another world. CHAV currently chooses to communicate with this timeline through popular music, loading their verses with complex and nuanced ideas around race, gender, love and loss.
“As an artist with intersecting identities–black, queer, nonbinary, and someone who grew up with limited resources, I’m constantly having to prove how I’m viable in the music industry. Homoground using their platform to center the voices of people with marginalized identities is so in line with the community work that I do through Flat Pop Records, the label my partner and I started last year, as well as many of my other initiatives.”
Wildcard Characters – Worcester, Massachusetts – “Louder”
Music is dark matter. Magic is the stars. The future is x. Wildcard Characters is an unquestionably queer duo inspired by the nature of things that are fluid and ever changing. From gender and expression to exploration of things unknown, these characters leave things open to possibility and imagination.
“The COVID-19 pandemic has severely limited our ability to work as independent contractors. Between cancelled gigs and terminated projects, maintaining economic security has become a main concern. We believe that as queer artists, we are strongest when we raise our voices together. We grow and learn from sharing our experiences and our visions. Resources and community building platforms like Homoground are powerful avenues for the amplification of queer voices.”
Powderpaint – Brighton, East Sussex, England – “Fall Together”
“We want to be more visible as trans artists, celebrating queerness with big joyous tunes and danceable bangers. Particularly at a time when there is a national ‘debate’ in the UK orchestrated by high-profile TERFs who have set the agenda of every mainstream media outlet, we just want to be there to make our community feel like they can dance. If a few more queers out there get to hear us it’d be wonderful.”
Bebop Rocksteady – Brooklyn, New York – “Break in Case of Emergency”
Bebop Rocksteady is a radical nonbinary harm reductionist and drug policy reform advocate, activist, and philanthropist who DJs and makes music.
Danielle Grubb – Dallas, Texas – “Untitled”
The non-binary artist, Danielle Grubb, calls out to a lover in an attempt to deliver a message that they never sent. Their new song, Untitled, is an eclectic mix of classical piano motifs and pumping synths over house influenced rhythms. The song also presents the feeling of mourning in a less traditional sense.
“It’s the beginning of the loss of self into another person. I used to try to always paint the happy picture, and by doing so, left out the intricacies of what happens to a person’s identity when they fall in love,” says Danielle.
I just came out as trans masc, and it’s hard to get people to adjust to using my pronouns. I was recently misgendered on a radio show. And I thought to myself, this is probably no longer the platform for me. I’m having to navigate spaces all over again. It’s been a trip.
“I’m finally in the right emotional and mental state to make the music I’ve always wanted to be making, and I’m happy to be here,” Danielle says.
Odd!Drey – Jakarta, Indonesia – “Lofi”
“Just an 18 year old trying to put out my stories, and hoping that people will relate and find some semblance of comfort.
This track, Lofi, was inspired by my view on flings and passionate yet short-lived relationships and the word LoFi itself. The title itself is a wordplay. Lofi is the shortened form of Low Fidelity, a music genre that refers to music that is ‘low in quality or raw’. Fidelity itself means loyalty. I chose to use the word Lofi to imply low levels in loyalty. The song itself is slightly raw and lofi, in symbolism to those quick but passionate relationships I’m singing about. In this song, I let all my vulnerability be seen by the other person, and I hide nothing; but it’s because I have nothing else to lose since I won’t be with them for long. And thus with the music. It’s imperfect, but it’s real and authentic with nothing hidden.
I’d love to connect with people who I relate to, who are like myself, who are people I could look up to and want to grow with. I’d love to be heard by those very same people.”
Arami – Philadelphia, Pennsylvania – “Whatcha Like”
“I am a singer/songwriter, producer, audio engineer, and poet from Philadelphia, PA. I’ve been making music for about 4 years give or take and I feel like my sound is Alternative Soul. I love all genres and take from them all so I try to implement that into my music. My influences come from everywhere but a couple of artist who have inspired me lately are Cleo Sol, REIYO, Alex Isley, and Victoria Monet.
I feel like I would be perfect for Homoground because I am a queer, non-conforming artist and I feel like we don’t get enough exposure in the media. Kids and teenagers only have “straight” music to listen to especially in the mainstream media and it sucks because not only is there better music out there but it’s really narrow minded and non-progressive.”
CREDITS
This episode was produced by D Orxata
Executive production and intro/outro by Lynn Casper
Homoground Theme Song by data.data.data
SPONSOR
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Emily Wells – New York, NY [Episode #240]
By HomogroundEpisode #240 is up featuring a conversation between Emily Wells and Homoground host Maia Macdonald. Emily gives us tons of insight behind her latest album “This World is too ______ for you” and the process behind orchestrating her live performance.
If you enjoyed this episode, please consider contributing to our Patreon to support this free podcast.
http://patreon.com/join/homogroundTranscription of Emily’s story:
” I guess you kind of have to compartmentalize the processes. So when I was writing the record, for instance, and when I’ve written any records, I find that my process hones over the years. I go into a different kind of self-hood, I would say, and I allow myself to go into that, and I really limit any performances, which is a bit of a luxury. You kind of have to get really scrappy and frugal. Just tour your ass off and then try to make room for yourself to be a maker and not a minstrel. I engage a lot with literature during this period and poetry, and I’m really interested in the mind and how the mind works. All of these things are all connected. And all of that can, if you’re open, become part of the songs as well. So I just try to be that “self” and try to write songs. Almost simply, especially this record, I forced myself that they had to pass the Casio Test. I don’t have a proper piano in my studio, so if I could play it on this old Casio keyboard and sing along with it, and it still was emotional and still was a “good song”, then it passed. Otherwise, it was out. That helps me not get too caught in the… You have some nights where you’re working on things and you start to dabble into the production side of it, which is really fun and can be a great release. But I still had to step away at the end of each song. Then you move into recording mode, then you move into editor mode, then you move into insane person mode, actually making the final decisions, and then you move into like an intern at your label trying to like make it work, you know.”
You can read the full transcript of Emily’s interview on our patreon.
CREDITS
This episode was recorded and produced by Maia Macdonald.
Executive Producer: Lynn Casper
Intro Jingle by data.data.data
Interview transcription by D Orxata
Transcription was made possible by Queer Public Podcast who let us use their transcription software.
Post Views: 1,447